Can the Spaces Around Us Influence Who We Become?

Summary

This blog explores the relationship between architecture and psychology. It introduces the idea that the spaces around us are not passive backgrounds, but active influences on our emotions, habits, identity, and well-being. Through psychological research, personal reflection, and the example of Maggie’s Yorkshire by Heatherwick Studio, this piece asks how architecture can help people feel more grounded, connected, and alive.

The Quiet Influence of Space

We often think of architecture as something outside of us: walls, windows, furniture, streets, materials, and buildings. But the spaces around us are not separate from who we are and should not be considered just a background to our lives. They shape how we move, how we feel, how we think, and how we relate to others.

 

A dark and solid room can make us feel cold and heavy, while a window facing trees can help us open up and breathe more deeply. A cluttered desk can make our thoughts feel scattered, whereas a warm, clear living area can help foster activity and movement. On a larger scale, a city street filled with trash, blank walls, and no greenery can quietly teach people to feel disconnected from the place and even other people.

 

These things may seem small, but over time, they become part of daily life. And daily life becomes part of who we are.

Architecture and Psychology Belong Together

Architecture is not only about making buildings stand. It is also about creating environments for human life. Psychology helps us understand that people are shaped by their surroundings through emotion, memory, attention, comfort, stress, and social connection.

 

In the article “Where am I? Who am I?”, Proulx et al. (2016) explain that spatial cognition, how we understand and move through space,  is connected to social cognition and our sense of self. In simple terms, the way we experience “where I am” can influence the way we understand “who I am.”

 

This idea is profoundly important for architecture. A building is not just a container for human activity. It can support confidence, peace, belonging, and curiosity. Or it can create confusion, isolation, stress, and discomfort.

This is why architects should design with psychology in mind. Space, color, furniture placement, material, lighting, sound, views, circulation, and access to nature are not just aesthetic decisions. They are human decisions.

When Space Works Against Us

Many modern environments are designed for speed, efficiency, and profit before they are designed for people. We see gray cities, blocked buildings, artificial lighting, sealed interiors, trashed streets, and homes that are technically functional but emotionally empty.

 

When we ignore the psychological effect of these spaces, we begin to accept them as normal. But they are not neutral. A poorly designed environment can make people feel rushed, unseen, disconnected, or powerless.

 

This does not mean every building must be expensive or perfect. It means that design should begin with care. Does this space help people feel safe? Does it invite connection? Does it allow rest? Does it provide beauty? Does it respect nature, memory, and human dignity?

 

These questions should be central to architecture.

Designing Our Personal Everyday Spaces

This idea does not only apply to architects. Each of us can become more aware of how our own environments shape us.

 

Our bedroom, work desk, kitchen, garden, or small corner of a room can either support or resist the person we are trying to become. A space for focus should help the mind feel clear. A space for rest should help the body soften. A space for gathering should make people feel welcome. A space for growth should remind us of what we value.

 

Sometimes this can be simple: placing a desk near natural light, keeping meaningful objects nearby where they can be seen and remembered, bringing in plants, choosing warmer and natural materials, reducing clutter, or creating a small ritual space for reading, prayer, tea, art, or reflection.

 

Design is not only decoration. It is a way of shaping our daily behavior and reminding us of our values.

Toward a More Human Future

At Shizen Studio, we believe that the future of architecture should be more peaceful, more natural, and more connected to human well-being. We believe that beauty matters, not as luxury, but as nourishment. We believe that culture, memory, nature, and psychology should all have a place in design.

 

The spaces around us influence who we become. If we live in environments that ignore nature, community, culture, and the human spirit, we may slowly become disconnected from those things. But if we create spaces that welcome care, reflection, belonging, and growth, we give ourselves a better chance to reclaim our authentic selves.

 

Architecture cannot solve every human problem. But it can shape the conditions of daily life.

 

And daily life is where we become who we are.

References

Proulx, M. J., Todorov, O. S., Taylor Aiken, A., & de Sousa, A. A. (2016). “Where am I? Who am I? The relation between spatial cognition, social cognition, and individual differences in the built environment.” Frontiers in Psychology. 

 

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From the Earth to the Sky

Project Description

This project aims to design architecture for a non-profit organization focused on educating and practicing naturopathic therapies. The proposed project sits on the rolling hills of Castle Rock Wilderness Area on the once sacred grounds of Mount Diablo. My goal in this project is to emphasize respect for the indigenous people who inhabited this land and prioritize sustainable architectural design. 

Located in Mount Diablo’s foothills, this project sits on an open site in Castle Rock Recreational Area.  

Sandstone found in the rocks of the foothills

Designed by: Heidi Heinze

Hello. I’m Heidi, a college student pursuing the psychology of landscape design and architecture and how it influences the human mind. One day I hope to see the world greener, and more peaceful through the power and beauty of nature. I have a strong desire to convince people of the power of nature and to fill spaces with more greenery so that every person can experience all of nature’s gifts. Let us help nature to release itself harmoniously into our society and built world. 

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Prismara Zaha

Prismara Zaha

Software: Illustrator

This composition is designed in Adobe Photoshop. This project is a commemoration to the great architect Zaha Hadid. In this design is a paper model of variated triangles which was photographed and then photoshopped. To create radiation and obscurity to the composition I used multiple colors, light exposures and sizes.

Designed by: Heidi Heinze

Hello. I’m Heidi, a college student pursuing Landscape architecture. One day I hope to see the world greener, and more peaceful through the power and beauty of nature. I have a strong desire to fill spaces with more greenery so that every person can experience all of natures gifts. Let us help nature to release itself harmoniously into our society and built world. 

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Ocean's Treasure Trove

Ocean’s Treasure Trove

Software: Rhino, Illustrator

This composition is designed in Rhino using the Tween Curve tool. The interesting aspect of this tool lies in its ability to create visually appealing patterns and movements by manipulating multiple lines. 

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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Fluid Forms

Fluid Forms

Software: Photoshop

I edited the Compositional Element below using Photoshop. Inspired by Zaha Hadid’s paintings, I attempted to capture the flowing curves reminiscent of her architectural style.

Compositional Element

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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Perspective Drawing – DVC Math Building

Date: Fall 2023

Method: Pencil

This is a drawing of the mathematics department building at DVC using two-point perspective. By employing two-point perspective, it becomes possible to create depth and a three-dimensional sense for the building.

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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Zephyr of Zaha

Zephyr of Zaha

Software: Photoshop

I edited the Compositional Element below using Photoshop. Inspired by Zaha Hadid’s paintings, I attempted to capture the flowing curves reminiscent of her architectural style.

Compositional Element

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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Geometric Wave

Software: Illustrator

This composition is designed in Illustrator. I began with creating rigid and strong triangular shapes and then cut through them with an organic wave inspired shape. Disturbing the sharpness of the triangles, the smooth edges of the wave allowed all shapes to flow in connection with one another. 

Designed by: Heidi Heinze

Hello. I’m Heidi, a college student pursuing Landscape architecture. One day I hope to see the world greener, and more peaceful through the power and beauty of nature. I have a strong desire to fill spaces with more greenery so that every person can experience all of natures gifts. Let us help nature to release itself harmoniously into our society and built world. 

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Tween Curve Composition

Tween Curve Composition

Software: Rhino, Illustrator

This composition is designed in Rhino using the Tween Curve tool. The interesting aspect of this tool lies in its ability to create visually appealing patterns and movements by manipulating multiple lines. When color contrast and gradients are added, it enhances the visual intrigue of the patterns even further.

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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Shape of the Wind

shape of the wind

Project Description

This project aims to design architecture for a non-profit organization focused on educating and practicing naturopathic therapies. It emphasizes respect for the indigenous people who inhabited this land and prioritizes sustainable architectural design. 

Software: Revit, Rhino.Inside, Grasshopper, Twinmotion, Illustrator, Photoshop

Inspiration

I consistently drew inspiration from the wind for this project. I was fascinated by how the invisible flow of air shapes objects like the sea, desert, or sky. Pursuing these beautiful forms, I aimed to capture and express them within the realm of architecture, tracing the memory of the wind – the gentle breeze that I felt at the Site. 

Concept

The concept of this design that pursues well-being emerged by expressing the beautiful curves reminiscent of the wind, while emphasizing functionality. This concept goes beyond a mere structure, aiming for a harmonious space that provides tranquility and joy to its visitors. The goal is to create a space where people can experience comfort in their daily lives.

maggie's-leeds-centre-interior

Healing Architecture: Maggie’s Leeds Centre

Grace Farms

Grace Farms: A Harmonious Blend of Architecture and Nature

Architectural Precedent

Maggie’s Leeds Centre is a charity providing free support for cancer patients. The belief driving this design is that thoughtful architecture can contribute to people’s well-being. Situated on a sloped site similar to our project, it offers a space where everyone can feel a sense of peace, using sustainable materials.

Grace Farms is an architecture to harmonizes with nature, and for visitors to enjoy the beauty of the environment through the spaces created by this river-inspired structure. Grace Farms’ river seamlessly blends into the undulating landscape, starting from a hill and gently descending a slope to form pond-like spaces.

Floor Plan & Site Analysis

Our building is located at the entrance of the hiking trail, so it is designed to cater to both hikers and visitors, ensuring a comfortable experience for their respective purposes.

The ground floor is divided into two parts by a pathway (tunnel) that extends to the hiking trail, effectively integrating the building as part of the trail. This pathway connects to the outside dining area (No.8 on the floor plan), stairs (No.14), and the small project “Spiral” which is for hikers to take a break and learn about indigenous people. 

Various paths also connect to the trail, providing visitors with different perspectives to appreciate the charm of the building and the surrounding nature.

If You Climb the Stairs, You will Reach the "Spiral", Which Serves as an Observation Deck, Rest Area, and Exhibition Space

A Little Explanation of Shape of the Wind - Spiral

Site

This architectural design was created with the assumption that it will be built on a hiking trail in Walnut Creek, California. Inspired by the natural beauty of Walnut Creek and the unique atmosphere of the region, this design emphasizes integration with the local environment. Focusing on open structures and maximizing the use of natural light, it aims to provide visitors with a serene and exquisite space.

Section Cut

Our site is situated on a hill, with an open area that receives direct sunlight. Consequently, during the summer, the land tends to dry up, leaving it devoid of greenery. However, I believe we can bring back greenery even in the summer by effectively utilizing this hill.

As a specific idea, we could create multiple ponds along the slope of the hill and establish a system where water from the bottom pond can be circulated to the top pond. This would create a cycle of water circulation throughout the hill, promoting the revitalization of greenery.

Simultaneously, the building itself could store water and share the greywater (reusable household wastewater) with bathrooms inside and ponds outside the structures.

Designed by: Raku Yamazaki

Hello. I’m Raku, a college student pursuing architecture. My vision is to make the world greener, and more peaceful through sustainable design. I’m dedicated to weaving nature, functionality, and aesthetic appeal into every project. Let’s build a sustainable future together – one blueprint at a time. 

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